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The Best Live Music around!
Open Mic Night every Tuesday! Come out and perform or just come out and enjoy the show.
We StreamLive Video of our Open Mic Night and some other select shows!
Lizanne Knott opening for Dana Kurtz 2/13/11
Dayna Kurtz is returning to Coffee Works on Sunday Feb 13th, 7pm, this time with special guest Lizanne Knott opening the show! This will be a fantastic night of music! Advance tickets are only $10 and on sale now at www.coffee-works.com … should tickets remain they will be $15 cash only at the door! Coffee Works is an intimate venue and seating is limited so purchase your tickets today! Make it a night out and come for dinner – Coffee Works has a full service kitchen and coffee bar and is BYOB friendly! See you at the show!
Dayna Kurtz 2-13-11
Coffee Works is pleased to welcome back Dayna Kurtz on Sunday, February 13th at 7pm. Dayna Kurtz, singer/songwriter, guitarist, poet will put on a terrific performance and tickets are only $10 online now. $15 cash day of the show. Don’t miss it.
Opening the show will be Lizanne Knott. Don’t miss this!
Dayna Kurtz 6/27/10
A New Performer to Coffee Works, Dayna Kurtz, will be here on Sunday June 27th at 7pm to perform a personal show for us. Brooklyn based, singer/songwriter Dayna Kurtz is a well known and admired singer and guitarist and this promises to be a great show.
Tickets are available Now – >>> Click Here! <<<
ALL MUSIC GUIDE REVIEW Dayna Kurtz is the kind of artist who inspires wild-eyed zealotry among her fans, and there are three reasons for it: One, she’s an artist’s artist, one whose whiskeyed, determined alto often earns her comparisons with Nina Simone; two, while Europeans adore her, she’s obscenely underappreciated in her own country; and three, her songs, which straddle a difficult space between jazz, rock, and folk, are pure poetry. Another Black Feather, her third full-length, merits still more whipping up of the faithful. Each of these 11 tracks arrives swathed in soul-derived, deeply held meaning, and each follows lyrical twists that deliver a listener to places in her own heart she might not have had occasion to visit otherwise. There is sadness (“It’s the Day of Atonement, 2001″), regret (“Venezuela,” “Nola”), and tenderness (“All Over Again”), but most of all there is beauty; a common thread. Kurtz chooses her backing players as carefully as her words, and here they display an audible knowingness of her character — when her mood shifts, they match it with idiosyncratic mastery. Another Black Feather owes its artist instant stardom. If that’s unattainable, it should at least earn her the one descriptor all serious artists strive for: important. ——by Tammy La Gorce